Wednesday, 26 March 2014

Week 3 Homework/ Independent Study- Custom Textures

Incorporation of Objects to show Proportion and Scale of Building relative to the person

Textures
 Words for Above: (Going Left to Right, one row at a time)

  1. Viscous
  2. Glossy
  3. Fluffy
  4. Contiguous 
  5. Spongy
  6. Webbed
  7. Smooth
  8. Curvy
  9. Fluid
  10. Flush
  11. Icy
  12. Fuzzy


 Words for Middle: (Going Left to Right, one row at a time)

  1. Rustic
  2. Layered
  3. Stained
  4. Diverging
  5. Transitionally
  6. Repetition
  7. Symmetric
  8. Crystalline
  9. Refined
  10. Knotted
  11. Cellular
  12. Contoured

Words for Below: (Going Left to Right, one row at a time)
  1. Grainy
  2. Brittle
  3. Rigid
  4. Welded
  5. Bristly
  6. Rough
  7. Jagged
  8. Intertwined
  9. Corrugated
  10. Grooved
  11. Malleable
  12. Geometric 
Draft of Below Workshop using texture word Rigid for areas where "windows" are.
Possible Material: Ceramics (Tiling) for side walls, concrete for overall walls

Draft of Above Workshop using texture word Viscous for Ceiling and texture word Contiguous for floor.

Wednesday, 19 March 2014

Week 2 Homework/ Independent Study: Stairs Designs

Stairs: 3-D Modelling on Sketch-up.
1) Stairs for Heston's workshop from above : Word- Fluid
Initial Sketches below (right) 
Features:
  • Glass Surrounding
  • Wiring
  • Cantilever Treads
  • Baluster through middle to allowing walking direction in both ways



2) Stairs for Revival Cycle's workshop from underground: Word- Debonair
Initial Sketches below (Left) 
Features:
  • Concrete Material
  • Rail from sides for easy lifting of motercycles
  • Square spiral type with corners being a landing
  • Regular landings to ensure bike doesn't fall and roll the entire stair


Wednesday, 12 March 2014

Week 1 Homework/ Independent Study- 18 Sections

18 Sections 
Client Above- Heston Blumenthal
Sections 1+2
 Sections 3+4
 Sections 5+6
 Sections 7+8
 Sections 9+10
 Sections 11+12
 Sections 13
 Sections 14+15
 Sections 16+17
 Section 18

SKETCH-UP SECTIONS
Above- Heston Blumenthal- Adjective- Fluid
 Below- Revival Cycles- Noun- Debonair
 Initial Sketch Work- Possible Materials : Concrete or Stone



UPDATE: Changing of Design ideas and section

  • Because of the simplicity of the first design, I have decided to change the shape and section keeping the word of "Debonair" for the underground studio workshop for Revival Cycles but using Section 10 (see below)(right-top) above ground shape for underground.        


  • I will also be developing Section 16 (see below)(bottom-left)  under-ground section using the word "Fluid" for Heston's Studio Workshop but instead of having it underground will be above ground in the final design.              


Section For Underground studio for Revival Cycles: Debonair



Wednesday, 5 March 2014

Task before first class 2

A) Revival Cycles: Vintage, Challenge, Debonair



B) Steinway and Sons: Classic, Deserve, Elegant

C) Heston Blumenthal: Fluid, Mesmerize, Luxurious

Task before first class

A)This piece here was my Design Technology Major Design Project of my High School Certificate. It was a contemporary walking cane made out of timber that flexed as it was used to help people who had wrist problems such as carpal tunnel syndrome. The distinctive, unconventional S-shape was inspired by the natural profile of Swan necks as I wanted to incorporate a sense of nature into the design in hopes to attract more consumers of the target market being elderly seniors. When designing this I had to consider functionality, target market and the limitations of materials which resulted in a successful final product.

B)This house is the Marika-Alderton House located in the Northern Territory was designed by no other than Glenn Murcutt, a professor here at UNSW. I consider this house a great piece of architecture because of the balance between sustainability, aesthetics and functionality. Murcutt’s design reflects his appreciation of nature, respecting the harmony of the relationships between man-made and natural environments. What I find amazing in this architecture is how much consideration and thought was placed prior to the final design and how Murcutt respects the environment in its design. This can be seen in the use of housing “stilts” elevating the house so that it preserves the environment below it as well as minimising its environmental impact. It is this functionality as well as the overall design having a high quality of aesthetical appeal that draws me to this great piece of architecture.


C)The Sydney Harbour Bridge is one of Australia’s most iconic structures and symbol of Sydney. While many would know of its appealing aesthetics, what I find beautiful in this structure is its functionality. The way the engineers and planners designed this structure was innovative in the way that they kept in mind the procession of ships and naval transport below it as well as considering the environmental impacts it would have. Not only is this structure aesthetically appealing, but its ability to fulfil its function without affecting the environment, I find beautiful and believe how all designers, whether architects or engineers should see design.